备注：已完结
类型：恐怖片
导演：阿尔弗雷德·L·韦尔克 安东尼·曼
语言：英语
年代：未知
简介：dddInthePost-WorldWarII,inLosAngeles,acriminalshotsandkillsapoliceofficerinthemiddleofthenight.Withoutanyleads,thechiefoftheLAPDassignsSgt.ChuckJonesandSgt.MartyBrennantoinvestigatethemurderandapprehendtheculprits.Whenthedealerofelectronicsdevices,PaulReeves,iscaughtsellingastolenprojector,thepoliceidentifiesthecriminal,andconnectshimtootherunsolvedrobberies.Usingthewitnessesofhisheists,theydrawtheirface,butthetrueidentityofthesmartandintelligentcriminalisnotdisclosed.TheperseveranceofSgt.MartyBrennaninhisinvestigationgivesacluewherehemightlive.
备注：已完结
类型：科幻片
主演：卡雷尔·赫格 弗洛朗丝·玛莉 Eduard Linkers 伊里·普拉
导演：奥塔卡·瓦夫拉
语言：其它
年代：未知
简介：bbbBasedonthenovelbyKarelCapek,theprominentCzechwriteroftheearly20thcenturywhocoinedthewordrobotforhisplayR.U.R.,thestoryrevolvesaroundadiscoveryofKrakatit-apowerfulexplosive-byProkop,anexperimentalscientistwho,followinganaccidentalexplosioninhislab,slipsinandoutofdelirium.Whenherealisesthat,inadeliriousperiod,hehasgiventheformulaformakingKrakatittooneofhiscolleagues,hetriestofindtheman,whodoesnotrealizehowdangerousathingKrakatitis.Intheprocess,henearlygiveshisdiscoveryawayagaintoforeigninterests,agroupofanarchists,andevengreaterforcesofdarkness...
备注：已完结
类型：剧情片
导演：威廉·迪亚特尔
语言：英语
年代：未知
简介：艾本（约瑟夫·科顿JosephCotten饰）是一名画家，靠着自己的勤奋和努力生存，然而，那个时代实在是太萧条了，所以艾本始终活在濒临破产的边ccc。某日，画家偶然中遇见了一位名为珍妮（珍妮弗·琼斯JenniferJones饰）的女孩，艾本为珍妮画了一张速写，让他没有想到的是，这张速写被画廊老板相中，并交代他再画一些这样的画。 之后，艾本和珍妮断断续续的见着面，画家以她为模特创作出了一幅又一幅作品，随着时间的推移，艾本和珍妮之间渐渐产生了一种奇妙的羁绊。珍妮长大了，艾本所画的一副珍妮的肖像油画被博物馆收藏了，他的生活亦渐渐得到了改善。可是，与此同时，珍妮却消失了。
备注：已完结
类型：剧情片
导演：杨工良
语言：国语
年代：未知
简介：ddd礦業大王張百貴病重,臨終前,他希望能見兒子振華的未婚妻一面.振華於是趕往酒店尋找未婚妻盧莎莉,可是莎莉卻剛巧外出.振華靈機一觸,請求酒店女職員舒小玲冒充未婚妻,以還老父心願.怎知,百貴自與小玲會面,病情竟突然好轉.小玲被迫繼續扮演振華的未婚妻,而百貴更特地為小玲舉行了盛大宴會,向賓客宣佈兒子與她的婚事.宴會當晚,小玲臨時缺席,百貴往找小玲,得知事情真相,不但沒有怪責,反而向友人宣佈小玲快要與振華結婚.振華真正的未婚妻莎莉獲悉振華婚訊,竟前來張家向百貴索取巨額賠償.振華看穿莎莉的真面目後,決意與她分手.最後,振華與小玲亦弄假成真,雙雙墮入愛河.
备注：已完结
类型：剧情片
导演：刘易斯·艾伦
语言：英语
年代：未知
简介：eeeNovelistJosephShearingspecializedinusingrealcaseswhichtookplaceinVictorianEngland,alteringthemforfictionalpurposes.MOSSROSEin1947wasthefirstfilmtobemadefromhisnovels,thenin1948twoofhisworkswereadaptedforthescreen,thisfilmandTHEMARKOFCAIN.ThemoviestarsToddasarecentlywidowedmissionaryreturningtoherhomeinEnglandfromJamaica.Duringthevoyage,shemeetsMilland,acharmingthoughdangerousrascalwhoiswantedbypoliceinconnectionwithsomeunsavorydealings.MillandcontractsmalariawhileonboardtheshipandToddnurseshimbacktohealth.InLondon,Toddsettlesintoherhome,takinginboarderstomakeendsmeet.Millandarrives,movesin,andproclaimshisloveforher.Toddisthrilled,butitseemsratherobviousthatMillandisonlytoyingwithher.Millandfindssomeletterswrittentoherbyherfriend,Fitzgerald,inwhichFitzgeraldrevealssomeofhersexualindiscretions.SinceFitzgeraldisnowmarriedtothewealthyHuntley,MillandbelieveshecanusetheletterstoblackmailFitzgerald.Todd'sloveforMillandissogreatthatshegoesalongwiththeplan.Huntley,however,learnsoftheschemeandalsouncoversdetailsofMilland'sshadypast.Fearingforherlover'ssafety,ToddpoisonsHuntley,thenremainssilentwhenFitzgeraldisarrestedforthemurder.MillandhasbynowgenuinelyfalleninlovewithToddandthetwomakeplanstoleaveEngland.Beforetheycandepart,oneofMilland'sformerloversshowsupandTodd,inajealousrage,killsMilland,thenturnsherselfintothepolice. Thisisanintriguingfilm,althoughalittleonthetalkyside.Theperformancesareexcellentthroughout,withMillandshiningasthecad,thetypeofroleinwhichheexcelled.ThoughhespentmostofhistimemakingfilmsintheUS,heoccasionallyreturnedtohisnativeEnglandforaproductionandthiswashisfirstBritishfilmsinceFRENCHWITHOUTTEARSin1939.DirectorAllenwasalsoanEnglishmanwhochosetoworkintheUS,thisbeinghisfirstdirectorialeffortinhishomeland.ThiswasthefourthandlasttimeMillandandAllenwouldworktogether,theirpairinghavingbegunin1944withthewonderfullyeerieTHEUNINVITED.
备注：已完结
类型：剧情片
主演：Artúr Somlay Miklós Gábor Zsuzsa Bá
语言：其它
年代：未知
简介：cccSomewhereintheremoteregion,thewarends.Inthemidstofruinedcitiesandhousesinthestreets,inruralhamlets,everywherewherepeoplestilllive,arechildrenwhohavelosttheirhomesandparents.Abandoned,hungry,andinrags,defenselessandhumiliated,theywanderthroughtheworld.Hungerdrivesthem.Littlestreamsoforphansmergeintoariverwhichrushesforwardandsubmergeseverythinginitspath.Thechildrendonotknowanyfeeling;theyknowonlytheworldoftheirenemies.Theyfight,steal,struggleforamouthfuloffood,andviolenceismerelyameanstogetit.AgangledbyCahounfindsarefugeinanabandonedcastleandencountersanoldcomposerwhohasvoluntarilyretiredintosolitudefromaworldofhatred,treason,andcrime.Howcantheyfindacommonground,howcantheybecomemutualfriendsThecastlebecomestheirhidingplacebutpossiblyitwillalsobetheirfirsthomewhichtheymayorganizeandmustdefend.Butevenforthis,thepricewillbeveryhigh. Tothissimplestory,thejournalist,writer,poet,scriptwriter,moviedirector,andfilmtheoreticianBélaBalázsappliedmanyyearsofexperience.HeandthedirectorGézaRadványicreatedaworkwhichopenedanewpostwarchapterinHungarianfilm.Surprisingly,thisfilmhasnotlostanyofitsimpactovertheyears,especiallyonaprofoundphilosophicallevel.Thatistosay,itisnotmerelyamovieaboutwar;itisnotimportantinwhatlocationandinwhatperiodoftimeittakesplace.Itisastoryoutsideoftimeaboutthejoylessfateofchildrenwhopaydearlyforthecruelwargamesofadults. Atthetimeitwaspremiered,themoviewasenthusiasticallyreceivedbythecritics.Themainrolesweretakenbystreetwiseboysofachildren'sgroupwhocreatedtheirrolesimprovisationallyinclosecontactwithafewprofessionalactors,andinthechildren'sactingtheirownfreshexperienceofwar'sturmoilappearstobereflected.Atthesametime,theirperformancefitsadmirablyintothemosaicofaverycomplexmovielanguage.Balázs'sinfluencerevealeditself,aboveall,intheintroductorysequencesanairraidonanamusementpark,seeninamontageofdramaticsituationsevokingthelastspasmsofwar,where,undoubtedly,wediscerntheinfluenceofclassicalSovietcinematography.Shooting,theboy'sescape,thelocomotive'swheels,theshadowsofsoldierswithsubmachineguns,thesoundofawhistle—theimagesarelinkedtogetherinabruptsequencesinwhichvaryingshotsandexpressivesharpsoundsareemphasized.Aperfectlyplannedscreenplayavoidedallelementsofsentimentality,time-wornstereotypesofwrongedchildren,romanticismandcheapsimplification.Theauthorssucceededinbridgingtheperilousdramaticabyssofthemetamorphosisofachildren'scommunity.Theirtellingofthestory(thesceneofpillaging,theassaultonthecastle,etc)independentlyintroducedsomeneorealistelementswhich,atthattime,werebeingpropagatedinItalybyDeSica,Rossellini,andotherfilmartists.Therebukesofcontemporarycritics,whocalledattentiontoformalismforitsownsakehavebeenforgotten.ThemasterlyartofcameramanBarnabásHegyigivesvitalitytothepoeticimages.Hisangleshotsofthechildren,hiscompositionofscenesinthecastleinterior,arealivingdocumentofthetimes,andunderlinetheatmosphereandthecharactersoftheprotagonists.ThesuccessofthepicturewasalsoenhancedbythemusicalartofcomposerDénesBudaywho,intensesituations,insertedthethemeoftheMarseilaiseintothemovie'sstructure,asamotiveofcommunityunification,asanexpressionoffriendshipandthepossibilityofunderstanding. ValaholEuropabanisthefirstsignificantpostwarHungarianfilm.Itoriginatedinarelaxedatmosphere,repletewithjoyandeuphoria,anditincludestheseelementsinordertodemonstratethestrengthofhumanism,tolerance,andfriendship.Itrepresentsageneralcondemnationofwaranywhereintheworld,inanyform.
